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Theatre, Film and TV
Jenn Lambert
+44 (0) 207 393 4459
Email Jenn Lambert -
Theatre, Film and TV
Joe Phillips
+44 (0)20 7393 4459
Email Joe Phillips
Emily
Ling
Williams
She most recently directed The Full Works, The Key Workers Cycle by Josh Elliot at the Almeida Theatre. Before this she directed text me when you’re home by Zia Ahmed as part of Five Plays at the Young Vic. She has also directed shows at the Royal Welsh College of Music and Drama, Omnibus Theatre, LAMDA and Rose Bruford. As an assistant director she has worked at the Almeida Theatre, the Young Vic, Chichester Festival Theatre, Arcola Theatre and Paines Plough. Emily has completed the Soho Theatre Writers Lab and has an MSc in International Politics from SOAS. She is currently attached to direct new work being developed at the Almeida Theatre, New Earth Theatre and Metal Rabbit Productions.
-
Theatre, Film and TV
Jenn Lambert
+44 (0) 207 393 4459
Email Jenn Lambert -
Theatre, Film and TV
Joe Phillips
+44 (0)20 7393 4459
Email Joe Phillips
CV
Theatre
Director
Five Plays - Jerwood Assistant Director Programme
Assistant Director
Dramaturg
Josh Elliott’s The Full Works: The Funeral Directors’ Play is a fantastically weird, funny, macabre piece, tremendously acted by Chima Akpa, Jason Barnett and Bill Milner. It involves a personable corpse who lets us into his thoughts as he receives a close shave in the funeral parlour. There is wonderful direction by Emily Ling Williams.
The Guardian
on The Full Works (Key Workers Cycle)
Josh Elliott’s clever The Full Works: the Funeral Directors’ Play was more concentrated. Here an experienced funeral director (Jason Barnett) instructs his apprentice grandson (Chima Akpa, a promising member of one of the Almeida’s two youth groups) in preparing a body for burial. Bill Milner plays the attention-loving corpse whose responses, whether humorous or poignant, to their ministrations — from shaving to dressing — are only audible to us. Elliott’s neat, witty text could conceivably have, and deserves, a life beyond Emily Ling Williams’s deft initial staging.
The Times
on The Full Works (Key Workers Cycle)